Review: The Orphan’s Tale, by Pam Jenoff

28 February 2017 by Melissa

About the book, The Orphan’s Tale

Paperback: 368 pages

Publisher: MIRA (February 21, 2017)

A powerful novel of friendship set in a traveling circus during World War II, The Orphan’s Tale introduces two extraordinary women and their harrowing stories of sacrifice and survival

Sixteen-year-old Noa has been cast out in disgrace after becoming pregnant by a Nazi soldier and being forced to give up her baby. She lives above a small rail station, which she cleans in order to earn her keep… When Noa discovers a boxcar containing dozens of Jewish infants bound for a concentration camp, she is reminded of the child that was taken from her. And in a moment that will change the course of her life, she snatches one of the babies and flees into the snowy night.

Noa finds refuge with a German circus, but she must learn the flying trapeze act so she can blend in undetected, spurning the resentment of the lead aerialist, Astrid. At first rivals, Noa and Astrid soon forge a powerful bond. But as the facade that protects them proves increasingly tenuous, Noa and Astrid must decide whether their friendship is enough to save one another—or if the secrets that burn between them will destroy everything.

Buy, read, and discuss The Orphan’s Tale:

Amazon | Books-A-Million | Barnes & Noble | Goodreads

About the author, Pam Jenoff

Pam Jenoff is the author of several novels, including the international bestseller The Kommandant’s Girl, which also earned her a Quill Award nomination. Pam lives with her husband and three children near Philadelphia where, in addition to writing, she teaches law school.

Connect with Pam

Website | Facebook | Twitter

My Thoughts

As I was reading this novel, The Orphan’s Tale, one word kept coming back to me: grace. Because this book, this story, is full of grace in every sense of the word.

It has the “there but for the grace of god” moments, but it also has the kind of grace that allows for sacrifices between friends. And then, when you add in the art and artistry both of a young lover who wants to be a painter, and the circus folk who work on wires and trapezes, you have that other, more physical kind of grace – the one that expands into people being graceful.

This story of Noa and Astrid, two very different women whose lives converge and then separate during one of the bleakest parts of human history – World War II – is more than just a novel. It’s a glimpse at a piece of history we don’t often hear about. We know that people “hid” Jews on farms and in attics, and in the music and theatre worlds, but the circus? Most of the stories that involve the circus have little to do with the political climate.

Exploring such a human story from this point of view made a novel that could, in a less talented writer’s hands, have been another us-against-the-Nazi’s tear-jerker into a story that had added depth and life beyond the actual characters. I learned something new, and was compelled to do my own reading outside the novel because I was fascinated.

(I should add that I’ve been fascinated by the circus since forever, so it’s not surprising that this was the element that truly hooked me.)

Aside from that, though, Jenoff writes with a deft hand. Her characters feel like real people, flawed and beautiful in their simple humanity, and her settings, based on real places, are described in enough detail to make you feel as if you are there, stepping through time to see the horror of a train-car full of nameless, crying babies, or the magic of someone sailing through the air on a trapeze.

Jenoff’s lyrical style only adds to the effect. At times it was like looking through a mirror into a past that isn’t necessarily pretty, but is still vivid.

This novel is a must-read for fans of historical fiction, but I’d recommend it to almost anyone who just wants to immerse themselves in a truly compelling story.

Goes well with a cappuccino and a bar of dark chocolate, eaten one tiny shard at a time.

Follow the Excerpt Tour, and Mark Your Calendar for the Review Tour

The Orphan’s Tale Excerpt Tour:

Monday, February 6th: The Sassy Bookster

Tuesday, February 7th: Just Commonly

Wednesday, February 8th: From the TBR Pile

Thursday, February 9th: Chick Lit Central

Friday, February 10th: Bibliotica

Monday February 13th: Satisfaction for Insatiable Readers

Tuesday, February 14th: Read Love Blog

Wednesday, February 15th: The Lit Bitch

Thursday, February 16th: Book Reviews and More by Kathy

Friday, February 17th: Books a la Mode

The Orphan’s Tale Review Tour:

Monday, February 20th: A Chick Who Reads

Monday, February 20th: Barbara Khan

Tuesday, February 21st: Savvy Verse and Wit

Wednesday, February 22nd: Caryn, The Book Whisperer

Thursday, February 23rd: West Metro Mommy

Friday, February 24th: Reading is My SuperPower

Friday, February 24th: A Bookish Affair

Monday, February 27th: Building Bookshelves

Monday, February 27th: Just Commonly

Tuesday, February 28th: Bibliotica

Wednesday, March 1st: Kahakai Kitchen

Wednesday, March 1st: Susan Peterson

Thursday, March 2nd: A Literary Vacation

Friday, March 3rd: Cindy Burnett

Monday, March 6th: Satisfaction for Insatiable Readers

Monday, March 6th: Literary Quicksand

Tuesday, March 7th: The Lit Bitch

Wednesday, March 8th: The Romance Dish

Thursday, March 9th: Just One More Chapter

Friday, March 10th: Suzy Approved

Monday, March 13th: Reading Reality

Monday, March 13th: Diary of an Eccentric

Tuesday, March 14th: Patricia’s Wisdom

Wednesday, March 15th: Bibliophiliac

Thursday, March 16th: The Maiden’s Court

Friday, March 17th: View from the Birdhouse

Monday, March 20th: A Bookish Way of Life

Tuesday, March 21st: Write Read Life

Wednesday, March 22nd: 100 Pages a Day

Thursday, March 23rd: Silver’s Reviews

Friday, March 24th: Not in Jersey

Friday March 24th: SJ2B House of Books

Tuesday, March 28th: Travelling Birdy

Excerpt from The Orphan’s Tale by Pam Jenoff

10 February 2017 by Melissa

About the book, The Orphan’s Tale

Paperback: 368 pages

Publisher: MIRA (February 21, 2017)

A powerful novel of friendship set in a traveling circus during World War II, The Orphan’s Tale introduces two extraordinary women and their harrowing stories of sacrifice and survival

Buy, read, and discuss The Orphan’s Tale:

Amazon | Books-A-Million | Barnes & Noble | Goodreads

About the author, Pam Jenoff

Connect with Pam

Website | Facebook | Twitter

Read an Excerpt from The Orphan’s Tale

Blog Tour – Excerpt 5

Astrid

Germany, 1942—fourteen months earlier

I stand at the edge of the withered grounds that had once been our winter quarters. Though there has been no fighting here, the valley looks like a battlefield, broken wagons and scrap metal scattered everywhere. A cold wind blows through the hollow window frames of the deserted cabins, sending tattered fabric curtains wafting upward before they fall deflated. Most of the windows are shattered and I try not to wonder if that had happened with time, or if someone had smashed them in a struggle or rage. The creaking doors are open, properties fallen into disrepair as they surely never would have if Mama been here to care for them. There is a hint of smoke on the air as though someone has been burning brush recently. In the distance, a crow cries out in protest.

Drawing my coat closer around me, I walk away from the wreckage and start up toward the villa that once was my home. The grounds are exactly as they had been when I was a girl, the hill rising before the front door in that way that sent the water rushing haphazardly into the foyer when the spring rains came. But the garden where my mother tended hydrangeas so lovingly each spring is withered and crushed to dirt. I see my brothers wrestling in the front yard before being cowed into practice, scolded for wasting their energy and risking an injury that would jeopardize the show. As children we loved to sleep under the open sky in the yard in summer, fingers intertwined, the sky a canopy of stars above us.

I stop. A large red flag with a black swastika hangs above the door. Someone, a high-ranking SS officer no doubt, has moved into the home that once was ours. I clench my fists, sickened to think of them using our linens and dishes, soiling Mama’s beautiful sofa and rugs with their boots. Then I look away. It is not the material things for which I mourn.

I search the windows of the villa, looking in vain for a familiar face. I had known that my family was no longer here ever since my last letter returned undeliverable. I had come anyway, though, some part of me imagining life unchanged, or at least hoping for a clue as to where they had gone. But wind blows through the desolate grounds. There is nothing left anymore.

I should not be here either, I realize. Anxiety quickly replaces my sadness. I cannot afford to loiter and risk being spotted by whoever lives here now, or face questions about who I am and why I have come. My eyes travel across the hill toward the adjacent estate where the Circus Neuhoff has their winter quarters. Their hulking slate villa stands opposite ours, two sentries guarding the Rheinhessen valley between.

Earlier as the train neared Darmstadt, I saw a poster advertising the Circus Neuhoff. At first, my usual distaste at the name rose. Klemt and Neuhoff were rival circuses and we had competed for years, trying to outdo one another. But the circus, though dysfunctional, was still a family. Our two circuses had grown up alongside one another like siblings in separate bedrooms. We had been rivals on the road. In the off-season, though, we children went to school and played together, sledding down the hill and occasionally sharing meals. Once when Herr Neuhoff had been felled by a bad back and could not serve as ringmaster, we sent my brother Jules to help their show.

I have not seen Herr Neuhoff in years, though. And he is Gentile, so everything has changed. His circus flourishes while ours is gone. No, I cannot expect help from Herr Neuhoff, but perhaps he knows what became of my family.

When I reach the Neuhoff estate, a maidservant I do not recognize opens the door. “Guten Abend,” I say. “Ist Herr Neuhoff hier?” I am suddenly shy, embarrassed to arrive unannounced on their doorstep like some sort of beggar. “I’m Ingrid Klemt.” I use my maiden name. The woman’s face reveals that she already knows who I am, though from the circus or from somewhere else, I cannot tell. My departure years earlier had been remarkable, whispered about for miles around.

One did not leave to marry a German officer as I had—especially if one was Jewish.

Erich had first come to the circus in the spring of 1934. I noticed him from behind the curtains—it is a myth that we cannot see the audience beyond the lights—not only because of his uniform but because he sat alone, without a wife or children. I was not some young girl, easily wooed, but nearly twenty-nine. Busy with the circus and constantly on the road, I had assumed that marriage had passed me by. Erich was impossibly handsome, though, with a strong jaw marred only by a cleft chin, and square features softened by the bluest of eyes. He came a second night and pink roses appeared before my dressing room door. We courted that spring, and he made the long trip down from Berlin every weekend to the cities where we performed to spend time with me between shows and on Sundays.

We should have known even then that our relationship was doomed. Though Hitler had just come to power a year earlier, the Reich had already made clear its hatred for the Jews. But there was passion and intensity in Erich’s eyes that made everything around us cease to exist. When he proposed, I didn’t think twice. We did not see the problems that loomed large, making our future together impossible—we simply looked the other way.