Tag Archives: Romance

Teaser Tuesdays: Belladonna, by Anne Bishop

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On Teaser Tuesdays readers are asked to:

  • Grab your current read.
  • Let the book fall open to a random page.
  • Share with us two (2) “teaser” sentences from that page, somewhere between lines 7 and 12.
  • You also need to share the title of the book that you’re getting your “teaser” from … that way people can have some great book recommendations if they like the teaser you’ve given.

My teasers are:

As she turned away from the mirror, she was drawn to the watercolor that hung on the wall next to her bed. Titled Moonlight Lover, the view was of the break in the trees near Sebastian’s cottage, where a person could stand and see the moon shining over the lake. The dark-haired woman in the painting wore a gown that was as romantic as it was impractical, and looked as substantial as moonbeams. Standing behind her, with his arms wrapped protectively around her, was the lover. His face was shadowed, teasing the imagination to find the details, but the body suggested a virile man in his prime.
~Belladonna, by Anne Bishop. Page 61.

The Rest Falls Away

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by Colleen Gleason

I’m not a huge fan of the Regency period, and especially not a fan of Regency romances. All those demure teas and heaving bosoms tend to cause a lot of eye-rolling around here. When an author takes the time to visit my blog, however, and pitch her own work, without being at all arrogant, but just being another blogger, I take note. Colleen Gleason left a comment here a few weeks back, and even though the period her Gardella Vampire Hunter series is set in is not my favorite, I’m a sucker for bloodsuckers being offed by spunky heroines, so HAD to check out her work.

The Rest Falls Away introduces us to Victoria Gardella Grantworth, debutante (though a little older than the other young women coming out that year, due to family issues), and the latest to be called to the family tradition of vampire hunting. In this – being chosen rather than doing the choosing – she is not unlike the more modern Buffy, whom the author herself notes is an influence.

What follows, once Victoria takes up her stake and commits to her destiny, is not bodice ripping (a little slow unbuttoning, perhaps…) or bosom heaving, but a realistic presentation of what a female action hero would have had to deal with if living in such a time. Skirts not meant for running and fighting, pants not acceptable on the female form, sleeves meant to be frothy rather than fitted…fashion alone is a major issue, and not just in terms of where one can hide a stake.

There is, of course, requisite romance with Phillip, the Marquess of Rockley, and – as always happens when one of the characters is a hero – romance is not a reward as much as yet another thing to be balanced and protected, or pushed aside when a life must be saved.

Gleason’s characters all ring true, even those like Sebastian the owner of the vamp-friendly bar who are a bit over the top, and her plot moves at a comfortable pace. Maybe I was inspired in part by the season – I’m writing this review having just given the last of my candy to a stray trick-or-treater, after all – but not only could I not put this book down, I’m already a third of the way through the sequel.

You’ll note Ms. Gleason’s presence in my blogroll. You’d do well to include her works on your shelves.

Moonlight-ing

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I spent this morning cleaning my coffee maker, but I probably should have spent it researching drug treatment centers instead, because after my mini-marathon of Dracula: the Series on Friday, I also finally managed to catch an episode of the new vampire detective show Moonlight which is brought to you, in part, by Ron Koslow who was also involved in one of my favorite 1980’s television shows, Beauty and the Beast.

Friends who managed to see the pilot of Moonlight told me that it was very much an Angel ripoff. I disagree. If anything, it traces more of its roots back to Forever Knight than Angel ever did, and that’s fine, because what makes Joss Whedon’s work stand out is that it is so fresh and difference. It also has more than a passing resemblance to Blood Ties which returns this week.

In any case, Moonlight features Australian actor Alex O’Loughlin as vampire private investigator Mick St. John, who is relatively young in vampire terms, as he was still mortal as recently as 1950. He’s got a torch for a blonde reporter, who is apparently in a stable relationship with someone in the district attorney’s office, so there’s they typical vampire-mortal attraction dance going on, and of course, they fight crime.

It seems like a show still finding its feet, and I’ve read that there were major casting changes at the last minute, and that David Greenwalt who was involved in the show’s creation, walked away from it over the summer, so I’m hoping it will last long enough to have a chance of growing beyond it’s very earnest first couple episodes, and maybe offer a little bit more grit.

My verdict: Worth catching, but don’t cancel plans for it.