Neil Gaiman | Bibliotica

About the book, The View From the Cheap Seats

• Paperback: 544 pages
• Publisher: William Morrow Paperbacks; Reprint edition (May 16, 2017)

The New York Times bestselling non-fiction collection, now in paperback, from the author of American Gods, now a STARZ Original Series.

An enthralling collection of nonfiction essays on a myriad of topics—from art and artists to dreams, myths, and memories—observed in #1 New York Times bestselling author Neil Gaiman’s probing, amusing, and distinctive style.

An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.

Buy, read, and discuss The View from the Cheap Seats:

HarperCollins | Amazon | Barnes & Noble | Goodreads

About the author, Neil Gaiman

Neil Gaiman is the New York Times bestselling author of the novels Neverwhere, Stardust, American Gods, Coraline, Anansi Boys, The Graveyard Book, Good Omens (with Terry Pratchett), The Ocean at the End of the Lane, and The Truth Is a Cave in the Black Mountains; the Sandman series of graphic novels; and the story collections Smoke and Mirrors, Fragile Things, and Trigger Warning. He is the winner of numerous literary honors, including the Hugo, Bram Stoker, and World Fantasy awards, and the Newberry and Carnegie Medals. Originally from England, he now lives in the United States. He is Professor in the Arts at Bard College.

Connect with Neil:

Blog | Facebook | Instagram | Tumblr | Twitter

My Thoughts

With the exception of American Gods (I’m apparently the only person on the planet who didn’t like it, but I recognize that it may have come into my life at a bad time, and I’ll eventually give it another chance) I’m a big fan of Neil Gaiman’s work, so when I was offered the opportunity to review some of his non-fiction, I went over the wall and into the ocean (metaphorically) and ended up wishing I was young enough to be a Bard student so I could take this man’s class.

I was hooked on this collection from the moment I opened the book and read his preface (introduction, whatever – I don’t have the book in front of me because a friend pulled it out of my hands the second I declared “FINISHED!”), and while not every piece resonated with me the same way, I found myself entranced, intrigued, provoked, amused, moved, and amazed, sometimes alternately, sometimes all at once.

I tend to read books of essays and short stories in chunks. I keep them in the bathroom, either in a basket near the toilet (oh, come on, we all read there) or on the side of the tub and pick them up whenever I’m in the appropriate place. I don’t pick and choose the order, though sometimes I’m tempted by a title.

That opening piece, “Some Things I Believe,” is something I’ll re-read, likely often. The section on comic books (and comic book shops, and comic book artists’ influence on Gaiman) is something I appreciated as a casual comic book reader, but I know my husband and the friend who stole my book will love a lot.

The section about film was incredibly informative, but there are also essays devoted to ghosts, music, and even one on the political/cultural situation in Syria.

Reading this book felt like a conversation with an old friend, the kind that rambles from topic to topic, touching on recurring themes, offering new insights, and involves each of you making lists of Books You Must Read and Music You Must Hear.

It’s fitting, then, that Gaiman himself wrote, “Literature does not occur in a vacuum. It cannot be a monologue. It has to be a conversation, and new people, new readers, need to be brought into the conversation too.”

This book, The View from the Cheap Seats, is that conversation. Or at least, it’s an overture to starting it.

Goes well with Earl Grey tea and raspberry crumble.

Tour Stops

Tuesday, May 16th: G. Jacks Writes

Wednesday, May 17th: Vox Libris

Thursday, May 18th: Based on a True Story

Friday, May 19th: A Splendidly Messy Life

Monday, May 22nd: 100 Pages a Day…Stephanie’s Book Reviews

Tuesday, May 23rd: Sapphire Ng

Wednesday, May 24th: Book Snob

Wednesday, May 24th: Man of La Book

Thursday, May 25th: guiltless reading

Friday, May 26th: Lit and Life

Tuesday, May 30th: In Bed with Books

Wednesday, May 31st: Real Life Reading

Thursday, June 1st: From the TBR Pile

Thursday, June 1st: Bibliotica

Friday, June 2nd: Bibliophiliac

I have a love-hate relationship with Neil Gaiman’s work. I loved both of his episodes of Doctor Who, but his books are more hit or miss.

American Gods, for example, is a novel I failed to get into. Something about it was just too uncomfortable for me to read. Stardust and Neverwhere, on the other hand, both entranced me from the first few words, and remain favorites years after my first encounters with them.

Still, with so many of my friends talking about his latest offering, The Ocean at the End of the Lane, I had to read it. Since my library (which I don’t like to visit in person, because it smells like unloved old people and I find the silence oppressive) now has eBooks available, I picked this as my first digital check-out.

I was not disappointed. While rather dark, The Ocean at the End of the Lane is engaging, interesting, and quite gripping. We want the little boy to figure everything out, but we also want him to be okay. It’s a book of magic and mystery and moonlight, and is a great fairy-tale for adults who still retain enough childhood to believe in the possibility of dark creatures and fantastic happenings.

Goes well with Snickerdoodles and chai tea lattes.