Tag Archives: historical fiction

Review: Becoming Josephine, by Heather Webb (@msheatherwebb)

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About the book Becoming Josephine Becoming Josephine

Paperback: 320 pages
Publisher: Plume (December 31, 2013)

Rose Tascher sails from her Martinique plantation to Paris to trade her Creole black magic culture for love and adventure. She arrives exultant to follow her dreams of attending Court with Alexandre, her elegant aristocrat and soldier husband. But Alexandre dashes her hopes and abandons her amid the tumult of the French Revolution.

Through her savoir faire, Rose secures her footing in high society, reveling in handsome men and glitzy balls—until the heads of her friends begin to roll.

After narrowly escaping death in the blood-drenched cells of Les Carmes prison, she reinvents herself as Josephine, a socialite of status and power. Yet her youth is fading, and Josephine must choose between a precarious independence and the love of an awkward suitor. Little does she know, he would become the most powerful man of his century- Napoleon Bonaparte.

Becoming Josephine is a novel of one woman’s journey to find eternal love and stability, and ultimately to find herself.

Buy, read, and discuss Becoming Josephine

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About the author, Heather Webb Heather Webb

Heather Webb is the author of historical novels Becoming Josephine and the forthcoming Rodin’s Lover (Plume/Penguin 2015).

A freelance editor and blogger, she spends oodles of time helping writers hone their skills—something she adores. You may find her twittering @msheatherwebb or contributing to her favorite award-winning sites Writer Unboxed and Romance University. In addition, she is a member of The Historical Novel Society.

Connect with Heather

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My Thoughts

Writing about an historical figure is never easy. The author has to balance the truth of history with the requirements of a good story, and still present readers with something that feels believable.

Heather Webb did that – and more – with Becoming Josephine.

From vivid descriptions to beautiful dialogue, from politics and intrigue to growth and romance, she has given us a glimpse at the woman often referred to as “Napoleon’s Cleopatra.”

In the tale of a girl called Rose who develops into a strong woman known as Josephine, we see not just the person from our schoolbooks, but a real woman, who starts out timid, cautious, and out of place, and, after some triumphs and other incidents where merely surviving is enough, ends up confident, strong, and a force to be reckoned with.

While I loved Rose/Josephine and Napoleon as characters, I liked a lot of the supporting characters as well. Rose’s first husband, Alexandre, made me want to punch him in the nose a lot, but then, he was supposed to. Fanny surprised me, because I wasn’t expecting a French aristocrat to talk about the rights of women or the plight of slaves.

Overall, this story could have been a lush epic or it could have been a clever romance set against the French Revolution and Reign of Terror, but instead, Heather Webb has given us something that is both, and neither. It’s a romantic historical epic with clever dialogue and lush clothing, yes, but it’s also a hard look at the politics of the day, and what it means to truly come into your own as a woman and a person.

Goes well with Roasted chicken, garlic crusted red potatoes, salad, and a glass of chardonnay.

TLC Book Tours

This review is part of a blog tour sponsored by TLC Book Tours. For more information, and the complete list of tour stops, click HERE.

Review: Inamorata, by Megan Chance

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About the book, Inamorata Inamorata

Paperback: 420 pages
Publisher: Lake Union Publishing (July 8, 2014)

American artist Joseph Hannigan and his alluring sister, Sophie, have arrived in enchanting nineteenth-century Venice with a single-minded goal. The twins, who have fled scandal in New York, are determined to break into Venice’s expatriate set and find a wealthy patron to support Joseph’s work.

But the enigmatic Hannigans are not the only ones with a secret agenda. Joseph’s talent soon attracts the attention of the magnificent Odilé Leon, a celebrated courtesan and muse who has inspired many artists to greatness. But her inspiration comes with a devastatingly steep price.

As Joseph falls under the courtesan’s spell, Sophie joins forces with Nicholas Dane, the one man who knows Odilé’s dark secret, and her sworn enemy. When the seductive muse offers Joseph the path to eternal fame, the twins must decide who to believe—and just how much they are willing to sacrifice for fame.

Buy, read, and discuss Inamorata

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About the author, Megan Chance Megan Chance

Megan Chance is a critically acclaimed, award-winning author of historical fiction. Her novels have been chosen for the Borders Original Voices and IndieBound’s Booksense programs. A former television news photographer and graduate of Western Washington University, Chance lives in the Pacific Northwest with her husband and two daughters.

Connect with Megan

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My Thoughts:

Inamorata is exactly the kind of novel I generally really love, historical, but in a period not too far from our own, lots of art and music, romance and intrigue, but for some reason I had a difficult time getting into it, re-reading the prologue several times.

Finally, things began to click and I fell into the story I’d been anticipating. Love, scandal, personal and political machinations abound, and the twins, Joseph and Sophie, are catalysts for all of it, while Odile and Nicholas give us the most compelling characters, at least in my opinion. All the characters circle around each other, though, and just as in real life, none of them are truly heroes or truly villains, though Nicholas is the primary antagonist.

I liked that author Megan Chance didn’t give us entire backstories for these people, instead letting us come to know them slowly, both in their novel-present self-assertions, and in the flashbacks that revealed their histories, slowly, the way you learn about actual people…one glimpse at a time.

I also really liked the author’s choice of Venice as a setting, rather than, Paris, London, or Rome. Venice is such a magical place all on its own, and adding these characters – especially Odile – to that city was completely inspired.

And that’s what Inamorata is really about – inspiration, where we find it, what we do with it, and who we use in the process.

Goes well with Buttery rosemary roast chicken, and a glass of chardonnay.

TLC Book Tours

This review is part of a blog tour sponsored by TLC Book Tours. For more information, and the complete list of tour stops, click HERE.

Review: the New Men, by Jon Enfield

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About the book, The New Men The New Men

Publisher: Wayzgoose Press (May 14, 2014)
Print Length: 303 pages

For us, the new man, he is one of two things. First, he is the new worker, a man we instruct and investigate until his probation is complete. But also he is an idea. In the foundry, they make parts. On the line, they make autos. But in Sociological, we make men.

Tony Grams comes to America at the start of the twentieth century, set on becoming a new man. Driven to leave poverty behind, he lands a job at the Ford Motor Company that puts him at the center of a daring social and economic experiment.

The new century and the new auto industry are bursting with promise, and everyone wants Henry Ford’s Model T. But Ford needs men to make it. Better men. New men. Men tough enough and focused enough to handle the ever-bigger, ever-faster assembly line. Ford offers to double the standard wage for men who will be thrifty, sober, and dedicated… and who will let Ford investigators into their homes to confirm it.

Tony has just become one of those investigators. America and Ford have helped him build a new life, so at first he’s eager to get to work. But world war, labor strife, and racial tension pit his increasingly powerful employer against its increasingly desperate enemies.

As Tony and his family come under threat from all sides and he faces losing everything he’s built, he must struggle with his conscience and his weaknesses to protect the people he loves.

Buy, read, and discuss The New Men

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About the author, Jon Enfield Jon Enfield

Jon Enfield has written for a range of audiences and publications. His work has appeared in Conjunctions, Poetry Ireland Review, Underground Voices, Xavier Review, and Forbes.com. He is a former fiction editor of Chicago Review, and he taught writing at the University of Southern California for several years. He received his Ph.D. in English from the University of Chicago for his dissertation on the relationships between American film and fiction 1910-1940.

The New Men arose from his longstanding fascination with America in the early twentieth century and from his sense that the emergence and evolution of the American auto industry shed light on some fundamental realities of present-day America.

Connect with Jon

Blog

My Thoughts

I was a bit concerned when I agreed to review this book. I mean, the concept and plot sounded interesting, but it had the potential to be a lot dryer than I typically prefer. I’ve never been more pleased to be proven wrong.

From the opening notes, where author Jon Enfield warns us about specific spelling and dialogue choices to the very last page, I was never bored. In fact, it would be fair to say that I was riveted, because I read this book last weekend, cover to cover, in one night.

We often hear about the concept of a “company town,” and I’ve certainly experienced a few: Marshalltown, IA, for example, is pretty much dominated by Fisher, and my husband and I worked in the Sioux Falls, SD campus of Gateway, back when they were a new-ish corporation. In The New Men, however, Enfield shows us the best and worst of company town culture – the progressive programs put in place to create the perfect workers, and the strictures that came with working for such a business.

After spending roughly half of the last decade doing corporate blogging for auto sales and auto insurance companies, it was incredibly interesting to me to see, in this novel, how the industry began, and to reflect upon the way it’s changed. Through his protagonist, Tony, and through all the other characters in The New Men Enfield shows us, not just a version of what was, but lets us glimpse what could have been, as well.

Sometimes gritty, sometimes poignant – often at the same time – The New Men is a period piece that manages to comment on contemporary culture without feeling as if it’s doing so. Taken as pure fiction, however, it’s a compelling story about people who aren’t that different than most of our grandparents. If you want something a bit toothier than typical summer fare, this novel is an excellent choice.

Goes well with Baked ziti, garlic bread, and a huge salad with fresh tomatoes.

TLC Book Tours

This review is part of a blog tour sponsored by TLC Book Tours. For more information, and the complete list of tour stops, click HERE.

Review: Love & Treasure, by Ayelet Waldman

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About the book, Love & Treasure Love & Treasure

Hardcover: 352 pages
Publisher: Knopf (April 1, 2014)

A spellbinding new novel of contraband masterpieces, tragic love, and the unexpected legacies of forgotten crimes, Ayelet Waldman’s Love and Treasure weaves a tale around the fascinating, true history of the Hungarian Gold Train in the Second World War.

In 1945 on the outskirts of Salzburg, victorious American soldiers capture a train filled with unspeakable riches: piles of fine gold watches; mountains of fur coats; crates filled with wedding rings, silver picture frames, family heirlooms, and Shabbat candlesticks passed down through generations. Jack Wiseman, a tough, smart New York Jew, is the lieutenant charged with guarding this treasure—a responsibility that grows more complicated when he meets Ilona, a fierce, beautiful Hungarian who has lost everything in the ravages of the Holocaust. Seventy years later, amid the shadowy world of art dealers who profit off the sins of previous generations, Jack gives a necklace to his granddaughter, Natalie Stein, and charges her with searching for an unknown woman—a woman whose portrait and fate come to haunt Natalie, a woman whose secret may help Natalie to understand the guilt her grandfather will take to his grave and to find a way out of the mess she has made of her own life.

A story of brilliantly drawn characters—a suave and shady art historian, a delusive and infatuated Freudian, a family of singing circus dwarfs fallen into the clutches of Josef Mengele, and desperate lovers facing choices that will tear them apart—Love and Treasure is Ayelet Waldman’s finest novel to date: a sad, funny, richly detailed work that poses hard questions about the value of precious things in a time when life itself has no value, and about the slenderest of chains that can bind us to the griefs and passions of the past.

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About the author, Ayelet Waldman Ayelet Waldman

Ayelet Waldman is the author of the recently released Love and Treasure (Knopf, April 2014), Red Hook Road and The New York Times bestseller Bad Mother: A Chronicle of Maternal Crimes, Minor Calamities and Occasional Moments of Grace. Her novel Love and Other Impossible Pursuits was adapted into a film called “The Other Woman” starring Natalie Portman. Her personal essays and profiles of such public figures as Hillary Clinton have been published in a wide variety of newspapers and magazines, including The New York Times, Vogue, The Washington Post, and The Wall Street Journal. Her radio commentaries have appeared on “All Things Considered” and “The California Report.” Her books are published throughout the world, in countries as disparate as England and Thailand, the Netherlands and China, Russia and Israel, South Korea and Italy.

Connect with Ayelet

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My Thoughts

You wouldn’t think that a novel that spends fully half it’s pages dealing with the immediate aftermath of the Holocaust could be magical and amazing, but Ayelet Waldman’s Love & Treasure manages to be so.

To be clear, those magical moments come between a lot of candid, even gritty, scenes. The first half of the book is the story of Jack Wiseman, an ethnic Jew and American soldier, in Europe at the end of World War II. Largely due to circumstance he is put in charge of a warehouse which holds the contents of a train, which, in turn, was full of the stolen, stripped down belongings – everything from ceramics to jewelry to bed linens to art – of Hungarian Jews who were either sent to concentration camps or sent to forced labor camps by the Nazis.

The second half of the book is mostly the story of Jack’s granddaughter Natalie, and her quest to fulfill her grandfather’s dying wish: track down the owner of a necklace he took from the warehouse, and return it. To do this, she travels to Europe and Israel, hooking up with an art dealer named Amitai who operates just at the surface, or maybe slightly below, the law. He isn’t a bad person, but he doesn’t make high-percentage choices. Also, he’s not that interested in the necklace – he’s trying to track down a painting done by the same artist. (He is, however, increasingly interested in Natalie.)

The problem is that Natalie’s story, which I referred to as the second ‘half,’ ends in such a way that it feels like an ending, but there’s a third part of the story, the history of the necklace’s original owner.

Don’t get me wrong, I loved learning the story of the necklace, loved a glimpse into early twentieth century feminism in Europe, it just felt like the novel would have been even more magical and amazing than it already is if Jack had been part one, Natalie had been part two, and the rest had been woven through in bits and glimpses.

But that’s me, who sometimes likes books to be ideally structured even though life never actually is, and the reality is that this minor structural issue didn’t detract from the story in any way. Jack’s section is heartbreaking, Natalie’s is a grand adventure, and all the rest? Quiet magic and amazing history.

Is this a beach read? Maybe not.
But it’s a great book for a lazy summer Sunday.

Goes well with: Organic eggs scrambled with spinach, salmon and cream cheese, a toasted bagel with butter, and a few chunks of really ripe cantaloupe.

TLC Book Tours

This review is part of a blog tour sponsored by TLC Book Tours. For more information, and the complete list of tour stops, click HERE.

Review: The Gods of Heavenly Punishment by Jennifer Cody Epstein

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About the book, The Gods of Heavenly Punishment

The Gods of Heavenly Punishment

One summer night in prewar Japan, eleven-year-old Billy Reynolds takes snapshots at his parent’s dinner party. That same evening his father Anton–a prominent American architect–begins a torrid affair with the wife of his master carpenter. A world away in New York, Cameron Richards rides a Ferris Wheel with his sweetheart and dreams about flying a plane. Though seemingly disparate moments, they will all draw together to shape the fate of a young girl caught in the midst of one of WWII’s most horrific events–the 1945 firebombing of Tokyo.

Exquisitely-rendered, The Gods of Heavenly Punishment tells the stories of families on both sides of the Pacific: their loves and infidelities, their dreams and losses–and their shared connection to one of the most devastating acts of war in human history.

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About the author, Jennifer Cody Epstein

Jennifer Cody Epstein

Jennifer Cody Epstein is the author of The Gods of Heavenly Punishment and the international bestseller The Painter from Shanghai. She has written for The Wall Street Journal, The Asian Wall Street Journal, Self, Mademoiselle and NBC, and has worked in Hong Kong, Japan and Bangkok, Thailand.

Jennifer lives in Brooklyn, NY with her husband, two daughters and especially needy Springer Spaniel.

Connect with Jennifer

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My Thoughts

While I’m not typically a fan of historical fiction, I make exceptions for recent history. The recent acquisition of a scrapbook my grandfather made when he was stationed in Hawaii in the 1930s had sparked my interest in the period just before and during World War II, and when I was offered The Gods of Heavenly Punishment to read and review, it seemed like a sign, especially since so much of the literature about that period is so Eurocentric.

This book, however, is a refreshing change from the usual, both because of the subject, and because it tells such an earthy, gritty, human story. We meet three boys in different parts of the world, and we revisit them during their lives, as tragedy occurs, finally saying goodbye to the last of them as a grown man.

We meet the girls and women who dance in and out of the boys’ lives, and they are as dimensional, as fully-realized as any lead characters in any work, despite not being on ‘center stage.

Even though we know the bare facts of history, there are thousands of stories, some separate, some interconnected, and Epstein weaves her fiction into the historical context with deftness and grace. From the opening chapters – a boy kissing a girl on a Ferris wheel, another boy snapping pictures with his brand new camera – to the closing ones – a man confronting the truth of his fathers actions toward another, a woman seeing treasured photos of her parents – we are treated to beautiful human moments that pull us away from the brutal atrocities of war.

I won’t pretend that some aspects of The Gods of Heavenly Punishment aren’t difficult. They are, and they should be. War isn’t clean and pretty. War stories shouldn’t be either.

But the book is still hauntingly beautiful and achingly poignant, and I found myself emerging from it with a deeper sense of history.

TLC Book Tours

This review is part of a virtual book tour. For more information, visit the tour page by clicking here.