Review: Hiddensee, by Gregory Maguire

6 November 2017 by Melissa

About the book, Hiddensee

• Hardcover: 304 pages
• Publisher: William Morrow (October 31, 2017)

From the author of the beloved #1 New York Times bestseller Wicked, the magical story of a toymaker, a nutcracker, and a legend remade . . .

Gregory Maguire returns with an inventive novel inspired by a timeless holiday legend, intertwining the story of the famous Nutcracker with the life of the mysterious toy maker named Drosselmeier who carves him.

Hiddensee: An island of white sandy beaches, salt marshes, steep cliffs, and pine forests north of Berlin in the Baltic Sea, an island that is an enchanting bohemian retreat and home to a large artists’ colony– a wellspring of inspiration for the Romantic imagination . . .

Having brought his legions of devoted readers to Oz in Wicked and to Wonderland in After Alice, Maguire now takes us to the realms of the Brothers Grimm and E. T. A. Hoffmann– the enchanted Black Forest of Bavaria and the salons of Munich. Hiddensee imagines the backstory of the Nutcracker, revealing how this entrancing creature came to be carved and how he guided an ailing girl named Klara through a dreamy paradise on a Christmas Eve. At the heart of Hoffmann’s mysterious tale hovers Godfather Drosselmeier– the ominous, canny, one-eyed toy maker made immortal by Petipa and Tchaikovsky’s fairy tale ballet– who presents the once and future Nutcracker to Klara, his goddaughter.

But Hiddensee is not just a retelling of a classic story. Maguire discovers in the flowering of German Romanticism ties to Hellenic mystery-cults– a fascination with death and the afterlife– and ponders a profound question: How can a person who is abused by life, shortchanged and challenged, nevertheless access secrets that benefit the disadvantaged and powerless? Ultimately, Hiddensee offers a message of hope. If the compromised Godfather Drosselmeier can bring an enchanted Nutcracker to a young girl in distress on a dark winter evening, perhaps everyone, however lonely or marginalized, has something precious to share.

Buy, read, and discuss Hiddensee:

HarperCollins | Amazon | Barnes & Noble | Goodreads

About the author, Gregory Maguire

Gregory Maguire is the New York Times bestselling author of Confessions of an Ugly Stepsister; Lost; Mirror Mirror; and the Wicked Years, a series that includes Wicked, Son of a Witch, A Lion Among Men, and Out of Oz. Now a beloved classic, Wicked is the basis for a blockbuster Tony Award–winning Broadway musical. Maguire has lectured on art, literature, and culture both at home and abroad. He lives with his family near Boston, Massachusetts.

Connect with Gregory:

Website | Facebook

My Thoughts

I’ve been a fan of The Nutcracker in all its variations since a family friend gifted me with a copy of the book A Very Young Dancer when I was five. Forty-two years later, I still can’t get enough of it. The Tchaikovsky music is ever present in my iTunes playlist, and I spend the month of December watching every single production of the ballet that makes it to cable. (Ovation‘s annual ‘Battle of the Nutcrackers’ is a favorite event.) Somewhere in a box, I even have a wooden nutcracker doll, sent to me by my oldest auntie, when she and her husband were stationed in Ramstein, Germany in the 1970s.

My point is, The Nutcracker is part of my DNA, and the reason I was initially drawn to read and review this book, Hiddensee.

The thing is, Gregory Maguire’s novel has no resemblance to the story we all love. At first, that was disappointing. I was looking forward to an in-depth look at the Nutcracker-Prince’s story. I was hoping for the unresolved sexual tension between Herr Drosselmeier and Klara (known as Marie in some versions of the story) to be resolved.

That is not what Hiddensee is.

Instead, Maguire’s novel is the origin story of Dirk Drosselmeier, the boy who grows up to become the toymaker who creates the famous doll.

In terms of style and craft, Hiddensee is excellent. Maguire has a way of using simple language to create vivid scenes, evoke real emotion, and immerse us in whatever world he’s choosing to inhabit. In this novel, he recreated the tone of all those early E.T.A. Hoffman (who wrote the original Nutcracker fairy tale) and the Brothers Grimm, mixing in more than a little German romanticism. If you’ve ever read Rilke or Goethe, you will be extremely comfortable with Hiddensee, because it has that faintly dreamlike quality those two poets used to great effect.

In terms of story, I was a little disappointed. Oh, I was invested in young Dirk as a character, but I was expecting a Nutcracker story, not a coming-of-age story about a young man. As well, I found that this novel lacked Maguire’s typically excellent pacing, having a start-and-stop effect that I found a bit off-putting.

Perhaps my perception was colored by expectation, or perhaps in the twenty years since Maguire gave us Wicked (and I was an early reader of that novel), he’s lost sight of his goals, because I’m honestly not entirely sure what story he was trying to tell. Dirk is an interesting young man, but there was an air of detachment about him – almost as if he was on the Asperger’s spectrum – that kept me slightly disconnected from his story.

Then, too, there was the fact that every time the story started to rev up, it seemed to stall.

Don’t get me wrong, an ‘average’ offering from Maguire is still more engaging than any offering from a host of other authors, and there was much about this story to love – introductions to German philosophy included – but if you’re going into it expecting it to be a rehashing of the ballet or the fairy tale, you will be disappointed.

Bottom line: read this without the ballet goggles and you’ll find much to enjoy.

Goes well with chestnut pastries and strong coffee.

Tour Stops

Tuesday, October 31st: BookExpression

Wednesday, November 1st: A Chick Who Reads

Thursday, November 2nd: Man of La Book

Friday, November 3rd: The Desert Bibliophile

Monday, November 6th: Bibliotica

Tuesday, November 7th: The Sketchy Reader

Wednesday, November 8th: Hopelessly Devoted Bibliophile

Wednesday, November 8th: Reading Reality

Thursday, November 9th: Broken Teepee

Friday, November 10th: Literary Quicksand

Monday, November 13th: Sara the Introvert

Tuesday, November 14th: Kahakai Kitchen

Wednesday, November 15th: Jathan & Heather

Thursday, November 16th: Unabridged Chick

Friday, November 17th: Based on a True Story

Review: After Alice, by Gregory Maguire – with Giveaway

14 July 2016 by Melissa

About the book, After Alice

• Paperback: 304 pages
• Publisher: William Morrow Paperbacks (July 5, 2016)

From the multi-million-copy bestselling author of Wicked comes a magical new twist on Alice’s Adventures in Wonderland, published to coincide with the 150th anniversary of Lewis’s Carroll’s beloved classic.

When Alice toppled down the rabbit-hole 150 years ago, she found a Wonderland as rife with inconsistent rules and abrasive egos as the world she left behind. But what of that world? How did 1860s Oxford react to Alice’s disappearance?

In this brilliant work of fiction, Gregory Maguire turns his dazzling imagination to the question of underworlds, undergrounds, underpinnings—and understandings old and new, offering an inventive spin on Carroll’s enduring tale. Ada, a friend of Alice’s mentioned briefly in Alice’s Adventures in Wonderland, is off to visit her friend, but arrives a moment too late—and tumbles down the rabbit-hole herself.

Ada brings to Wonderland her own imperfect apprehension of cause and effect as she embarks on an odyssey to find Alice and see her safely home from this surreal world below the world. If Eurydice can ever be returned to the arms of Orpheus, or Lazarus can be raised from the tomb, perhaps Alice can be returned to life. Either way, everything that happens next is “After Alice.”

Buy, read, and discuss this book:

HarperCollins | Amazon | Barnes & Noble | Goodreads

About the author, Gregory Maguire

Connect with Gregory:

Website | Facebook

My Thoughts

I’ve been a fan of Gregory Maguire’s work since Wicked first hit shelves eons ago. (I read it before it was popular, before there was a musical, before Amazon became my primary source of books, because I saw it on the “New Fiction” shelf at Barnes & Noble.) I remember thinking that I loved his way of not only twisting a common story – providing backstory, highlighting one of the supporting characters, writing prequels and sequels.

In reading After Alice, and having had a lot of experience with improv in the intervening years since my first introduction to Maguire’s work, I realized that he also uses the style of the original work as a jumping-off point. I won’t call him a mimic, because he isn’t mimicking Lewis Carroll here, so much as evoking it. In a way, the title thus becomes a pun. Yes, it’s after Alice’s adventures, and the impact they caused both to the ‘real’ world and to Wonderland, but it’s also ‘after’ Alice in the sense of ‘in the style of.’ Gotta love a good literary pun.

One of my favorite books is The Annotated Alice, which has both the original Alice’s Adventures in Wonderland, and the sequel Through the Looking Glass, and a ton of notes in teeny, tiny print. My copy wasn’t handy as I was reading this, and having it certainly isn’t necessary in order to appreciate Maguire’s novel, but I kind of wish I’d had it to read along-side, even so.

But back to After Alice. It’s the story of Alice’s childhood friend Ada, whom the help seems to find a bit disagreeable (the governess has a bit of inner monologue where she reflects that the child is so inactive that at some point she’ll require a wheel chair) who inadvertently follows her friend down the rabbit hole, and it shows how a different perspective, a different personality, completely changes the interactions with the characters we all know and love.

More than that, however, this is a look at the way society in the late 1800’s looked at people, and especially girls and women, who didn’t fit into cultural norms. More than once Alice is referred to as being ‘off with the fairies again,’ and there are also a lot of observations about how Miss Armstrong, the governess, might as well be invisible, as she exists between the real ‘help’ – cooks and maids – and the upper class employers who pay her to care for Ada.

As always, Maguire’s wit is reflected in his writing, and the end result is a smart, funny, engaging novel that, like most good stories, exists to entertain on one level, while also provoking thought on another. It’s better appreciated if, like me, you know the original story, but it’s certainly a great read even if you don’t.

Goes well with hot tea, and scones with clotted cream and jam (but only every other day.)

Giveaway

One lucky reader from the United States or Canada will win my copy (trade paperback) of this book.

Three ways to enter (one entry per person for each choice, so if you do all three, you’re entered three times).

Find my tweet about this book and retweet it (I’m @Melysse).
Find my Facebook post about this book and like/share it (I’m MissMelysse).
Leave a comment here on this post telling me what fictional world you’d love to explore. Wonderland? Narnia? Somewhere else?

Contest is open until 11:59 PM CDT on Thursday, July 21st.