Brent Spiner | Bibliotica

About the book, Fan Fiction

Publisher: ‎ St. Martin’s Press (October 5, 2021)
Language: ‎ English
Print length: ‎ 256 pages

Brent Spiner’s explosive and hilarious novel is a personal look at the slightly askew relationship between a celebrity and his fans. If the Coen Brothers were to make a Star Trek movie, involving the complexity of fan obsession and sci-fi, this noir comedy might just be the one.

Set in 1991, just as Star Trek: The Next Generation has rocketed the cast to global fame, the young and impressionable actor Brent Spiner receives a mysterious package and a series of disturbing letters, that take him on a terrifying and bizarre journey that enlists Paramount Security, the LAPD, and even the FBI in putting a stop to the danger that has his life and career hanging in the balance.

Featuring a cast of characters from Patrick Stewart to Levar Burton to Trek creator Gene Roddenberry, to some completely imagined, this is the fictional autobiography that takes readers into the life of Brent Spiner, and tells an amazing tale about the trappings of celebrity and the fear he has carried with him his entire life.

Fan Fiction is a zany love letter to a world in which we all participate, the phenomenon of “Fandom.”

Praise for this book:

“Like the man himself, this book is funny, sharp, and brilliant. You’re going to love it, and Brent, even if you’ve never heard of “Star Trek”. It’s one of the most entertaining books ever written about entertainment.” ―Phil Rosenthal (creator, writer, producer), creator of Everybody Loves Raymond and star of Somebody Feed Phil

“Fan Fiction is perfect! I loved that damn book. Lots of laugh out loud moments and real heart. Actor Brent Spiner’s pop-culture infused memoir is hilarious, warm, insightful, and absolutely delightful! Highly recommended!” ―Jonathan Maberry, NY Times bestselling author of V-Wars and Ink

“Brent Spiner’s rollicking meta-memoir is a meditation on celebrity, Hollywood, fandom, ego, and self-discovery, hidden inside a black comedy shell. This wildly entertaining novel opens the doors to the Starship Enterprise and the making of Star Trek: The Next Generation even as it peers into the soul of the actor and the utterly crazy world around him. Richly comic and surprisingly moving, Fan Fiction is a gift to both Trek fans and general readers. So put on your Raymond Chandler fedora, or your Starfleet uniform, and settle in for a wild ride through the underbelly and outer space of Hollywood.” ―John Logan, screenwriter of Skyfall, Gladiator, The Aviator

“Both laugh out loud funny and painfully dark, Brent Spiner has created a fictional autobiography that is filled with surprises.” ―Jonathan Frakes

“Brent takes us all on a wild ride in this fanciful tale.” ―Leonard Maltin

“Of all the pleasures Fan Fiction affords the reader ― a gripping plot, deftly and delightfully twisted; an insider’s slant on a pop culture mega-phenomenon; an affecting personal narrative of childhood trauma overcome; an insightful meditation on the ambiguities of fandom ― the greatest and most singular is Brent Spiner’s prose style. Dry, urbane, acerbic, self-deprecating and gently absurdist, it evokes a lost age of Hollywood autobiography. If Groucho Marx had played Commander Data, this is the kind of memoir he might have written.” ―Michael Chabon, Pulitzer-Prize winning author

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About the author, Brent Spiner

BRENT SPINER is an actor, comedian, and singer best known for playing the android Lieutenant Commander Data on Star Trek: The Next Generation from 1987-1994. He has appeared in numerous television roles, in films, and in theatre on Broadway, Off-Broadway and in Los Angeles. He currently has a role in the T.V. series Star Trek: Picard.

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My Thoughts

I’ve known Brent Spiner was a fantastic storyteller from his panels at conventions, brief interactions with him at those conventions, and from a thing he did on Twitter many years ago where he also wrote a fictionalized noir-esque version of his life. I cannot deny that part of my interest in reading Fan Fiction was because I am a longtime fan of his work. I have, therefore, tried to temper my review in order to counter my own bias.

In a book about improv (it might have been Truth in Comedy) I read that as long as you ground your scene work in emotional truth, the audience will take the journey with you no matter how preposterous things get. Spiner states in this book that everything in the prologue is true, and everything after is not, but he’s put in enough emotional truth that readers will happily stick with the story.

It’s important to remember when reading this, that Brent played Data on TV, but he isn’t an emotionless, perfectly correct android in real life, and in this tale which takes place in a heightened (at the very least) reality gives readers a decidedly earthy version of the actor. Die-hard fans of Star Trek: The Next Generation (in general) and Data (specifically) may find the cursing and references to sex and drugs (nothing scary) off-putting. I personally found them refreshing. Brent-the-character sounds like a real guy, with the sorts of neuroses so many gifted and talented people tend to display. Similarly, the exaggerated versions of his TNG castmates (and the Roddenberries) added humor, but also helped tie the book more closely to reality.

The invented characters, especially Cindy and Candy, were breaths of fresh air, and despite their roles in the story (FBI agent and bodyguard, respectively) also added necessary warmth and light. If they came off as slightly shallow, I can only assume they were meant to be.

And then there are the Daddy issues. Those are a strong theme in this story, both in Brent’s memories and feelings about his stepfather and in the stalker who identifies as the character Lal. The latter leads to a “cameo” from Hallie Todd that is both hilarious and disturbing. The former… I can only hope that some of those instances really are fiction.

Overall, this piece of meta-fiction is a solid entry into the contemporary noir oeuvre and a fast (it took me three hours), enjoyable read. I’ve always felt that some of Spiner’s best work is when he plays darker characters. I’ve often heard that the best comedy comes from pain. In Fan Fiction, Brent Spiner shows that both are true.

Goes well with: Vegetables. Lots of vegetables… or a double espresso and a bagel with cream cheese and lox.

Dreamland
Brent Spiner, Maude Maggart
Get it from Amazon >>

I’ve always been a fan of audio dramas, and have fond memories of rainy winter Sunday evenings, when my mother would make soup or stew, and she, Ira, and I would sit around the kitchen table and listen raptly to the radio plays that were broadcast on the local NPR affiliate. Or maybe it was the Pacifica affiliate. Either way it was a nice break from worrying about heating bills, the merits of tanked vs. tankless water heaters, and any number of other modern subjects.

Knowing this, there is every chance that, had I known to look for it, I’d have fallen in love with Brent Spiner’s newest brainchild, Dreamland, a CD that is more than just music, but really an audio musical with a healthy dash of noir-style characters and settings, and some great American standards, performed by Spiner and his co-star for this production, Maude Maggart.

I’ll confess that, even though I’m not generally given to collecting autographs from actors, no matter how much I enjoy their work, I paid the extra $10 over the $19,99 base price of the Dreamland cd to have Mr. Spiner not only sign it, but also to add the phrase “To MissMeliss” in strong silver writing on the front, because I am that big a geek.

But I digress.

Dreamland is the story of one man’s dream. I’ve often said that I dream not just in technicolor, but in full surround sound with a studio orchestra and backup singers. Apparently, so does the protagonist of this story, because when we meet him he’s preparing for bed in a hotel room, and is asking for a 9:30 AM wakeup call.

For the rest of the 50-ish minute CD, we, and he, are living within the dream, and, as can happen in small-d dreamland, scenes transition abruptly, time is either stretched or compressed as needed, and songs are used to punctuate feelings, but also to further the storyline. At one point, our hero offers the heroine a lift, but instead of car, he has a train. Such is the stuff of dreams.

Spiner’s vocals seem richer and healthier than his previous disc, Ol’ Yellow Eyes is Back, which included similar types of songs. I especially liked “The Moonbeam Song,” and “In the Wee Small Hours of the Morning,” but everything was quite pleasing. Of course, he also wrote the script, so it makes sense that he would pick songs he sings well.

Ms. Maggart (who is also Fiona Apple’s sister), has a lovely voice, and it’s so refreshing to hear a female lead who isn’t an over-shrill soprano (though as a mezzo myself, I may be biased). Her “I Remember You” is sheer magic.

Many of the other characters in Dreamland were voiced by Mark Hamill (yes, that one), but you’d never be able to pick out his voice if you didn’t know ahead of time that he was part of the project.

In an age of wall-vibrating dance beats, it’s nice to spend a quiet hour listening to something like Dreamland, and enjoying music from a time when songs were so much more singable than they are now. The only thing missing from the audio experience, for me, was a rainy day.

Dreamland may be purchased at Brent Spiner’s website, The Real Brent Spiner, and he takes paypal.