Review: The Dress in the Window, by Sofia Grant

About the book, The Dress in the Window

Paperback: 384 pages
Publisher: William Morrow Paperbacks (July 25, 2017)

A perfect debut novel is like a perfect dress—it’s a “must have” and when you “try it on” it fits perfectly. In this richly patterned story of sisterhood, ambition, and reinvention Sofia Grant has created a story just right for fans of Vintage and The Dress Shop of Dreams.

World War II has ended and American women are shedding their old clothes for the gorgeous new styles. Voluminous layers of taffeta and tulle, wasp waists, and beautiful color—all so welcome after years of sensible styles and strict rationing.

Jeanne Brink and her sister Peggy both had to weather every tragedy the war had to offer—Peggy now a widowed mother, Jeanne without the fiancé she’d counted on, both living with Peggy’s mother-in-law in a grim mill town. But despite their grey pasts they long for a bright future—Jeanne by creating stunning dresses for her clients with the help of her sister Peggy’s brilliant sketches.

Together, they combine forces to create amazing fashions and a more prosperous life than they’d ever dreamed of before the war. But sisterly love can sometimes turn into sibling jealousy. Always playing second fiddle to her sister, Peggy yearns to make her own mark. But as they soon discover, the future is never without its surprises, ones that have the potential to make—or break—their dreams.

Buy, read, and discuss The Dress in the Window:

HarperCollins | Amazon | Barnes & Noble | Goodreads

About the author, Sofia Grant

Sofia Grant has the heart of a homemaker, the curiosity of a cat, and the keen eye of a scout. She works from an urban aerie in Oakland, California.

Connect with Sofia:

Website | Facebook | Twitter | Instagram

My Thoughts

I don’t sew, but I’m the daughter of a talented sewist, so I chose to review this book in part so I could pass it on to her. I’m glad I did, because the story was fantastically crafted, both Jeanne and Peggy (and less so Thelma and Tommie) have stitched their way into my heart.

Practical Jeanne and ambitious, dreaming Peggy struck me as being both perfectly complementary sisters – each balancing the other – but also as representing the duality of all of us who are creative, and must constantly decide whether to let our business sense or our romanticism take the lead. I found their relationship reminiscent of my mother’s relationship with her own sisters, though I really only see that in glimpses.

Beyond just their sisterhood, though, I found the journeys each woman takes to be quite compelling. I like that each woman ends up more self-aware at the end of the book than they were at the start. Each of them is stronger and more confident in who they are and what they truly want in life.

In addition to the actual story, I really loved the way the book was designed. Yes, there’s that fantastic Dior-inspired dress on the cover of the book, but inside, each section is linked to a kind of fabric, beginning with taffeta. (I remember my mother cursing over certain kinds of fabrics when I was a kid, and I’ve called her to find her doing the same thing much more recently.

Author Sofia Grant has put a lot detail – historical, sewing, family, setting – into this book, and her care shows. The book never feels affected. Rather, it seems effortless, a sure sign of a great deal of work.

You don’t have to sew, or have a relative who sews to appreciate this book. The period setting, the family relationships – those are what make the novel. The rest? That’s window dressing. Really, really good window dressing.

Goes well with a Philly cheese-steak sandwich. Not because it has anything to do with the novel, aside from the fact that much of it is set there, but because I really want one.